Panasonic Lumix S5 II Evaluation

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Introduction

The Lumix S5 II is the smallest and lightest mannequin in Panasonic’s vary of full-frame mirrorless cameras. It is positioned as a extra reasonably priced all-round hybrid digital camera with options designed to enchantment to each photographers and videographers alike.

It is a lot smaller than the dearer S1, S1R and S1H full-frame cameras and is definitely about the identical measurement because the GH6 mannequin, which has a relatively tiny Micro 4 Thirds sensor.

The Panasonic S5 II contains a newly developed sensor that for the primary time on any Lumix digital camera helps Hybrid Section Detection Auto-Focus. All earlier cameras, together with the unique S5, have used a solely contrast-based AF system.

It provides 24.2 efficient megapixels from its 25.28 megapixel full body sensor, an expanded ISO vary of 50-204,800, the newest Venus picture processing engine, a free-angle 3.0-inch touchscreen LCD with 1.84m-dot decision, and a 3.68m-dot, 0.78x magnification OLED viewfinder.

When it comes to video, it helps inside 4:2:0 10-bit 6K (3:2) and 5.9K (16:9) at 30fps and 4:2:2 C4K and 4K at as much as 60fps, whereas a brand new low-profile warmth administration system permits for limitless recording instances.

The S5 Mark II additionally offers HFR (Excessive Body Price) recording at as much as 120fps and Sluggish & Fast seize at as much as 180fps and it has a full-size HDMI Kind A terminal, quite than a micro model as on the unique S5.

Different key options of the Panasonic Lumix S5 II embody a 6.5-stop Twin Picture Stabilizer, 9fps steady capturing with the mechanical shutter and 30fps with the digital shutter, and the the Excessive Decision mode, which permits the Panasonic S5 II to seize 96-megapixel equal photographs by quickly taking 8 separate photographs and mixing them into one.

The weatherproof Lumix S5 II has a thumb-controlled AF joystick on the rear, twin SD UHS-II reminiscence card slots, Bluetooth 5.0 and 5GHz/2.4GHz Wi-Fi connectivity, and USB Kind-C charging.

The Panasonic Lumix S5 II is accessible now priced at £1999 / €2199 / $1999 body-only within the UK, Europe and USA respectively.

Ease of Use

The Lumix S5 II is the primary ever Panasonic digital camera to help Section Detection Auto-Focus. For a lot of Panasonic followers, that will probably be each an infinite reduction and motive sufficient to purchase the S5 II.

For individuals not invested both emotionally or financially within the Lumix system, it removes one of many principal technological and advertising obstacles for not doing so.

It is maybe not an understatement to say that the Lumix S5 II is the primary Panasonic digital camera to have the ability to compete on a stage enjoying area with its principal rivals, who’ve all provided hybrid distinction and phase-detect auto-focus techniques for a few years now.

Merely put, part detection is a really huge deal for the S5 II and extra usually Panasonic cameras, which is able to presumably all help this function in future releases (Panasonic officers have already strongly hinted that their Micro 4 Thirds vary may even incorporate it).

Providing quick and reliable 779-area metering, the brand new system is ready to detect goal topics in troublesome circumstances corresponding to low gentle and backlighting and, as soon as locked on, will stay monitoring them even with different shifting objects within the body.

There isn’t any signal of the S5’s attribute “pulsing” impact within the steady AF-C mode because the DFD system scans forwards and backwards.

If efficient steady auto-focusing is high of your necessities checklist, then it is undoubtedly value selecting the newer S5 II mannequin with its superior AF system.

The brand new Lumix S5 II introduces phase-detection auto-focus for the primary time on any Panasonic digital camera – for many individuals, that would be the solely motive that they should critically contemplate this digital camera.




Panasonic Lumix S5 II

Measuring 134.3 x 102.3 x 90.1 mm and weighing 740g physique solely, it is barely bigger and heavier than its predecessor, the S5 II, which compared measures 132.6 x 97.1 x 81.9 mm and weighs 630g. That is predominantly due to the brand new low-profile warmth administration system which permits for limitless video recording instances.

Remarkably, the brand new Panasonic S5 II is definitely smaller than the favored Lumix GH5, a Micro 4 Thirds mannequin which measures 138.4mm x 100.3 x 99.6mm and weighs 823g.

If in case you have been contemplating the Lumix S-series however had been postpone by the comparatively giant measurement of the flagship S1 our bodies, then the S5 II is unquestionably small and lightweight sufficient to warrant a second have a look at the vary.

The Lumix S5 II remains to be a remarkably small and compact full-frame digital camera, and one which fortunately would not sacrifice the general dealing with expertise to attain that discount.

The brand new S5 II is nearly an identical to its predecessor, however there are just a few key variations to the unique model, together with the a brand new 8-way joystick, expanded drive dial, 3.0-inch free-angle touch-control monitor and enormous, 3,680K-dot OLED Reside View Finder.

Certainly, evaluating the S5 side-by-side with the older S5, the 2 cameras so comparable at first look that you simply’d be hard-pressed to inform them aside.

They each utilise a well-recognized DSLR model with the viewfinder within the centre, a big tactile hand grip, and a wholesome array of logically positioned controls.

The brand new Panasonic S5 II has the identical tank-like construct high quality and weather-proof exterior shared by all the different Lumix S-series cameras. Its magnesium alloy full die-cast mud and splash-proof physique has all of its principal seams tightly sealed in opposition to moisture ingress.




Panasonic Lumix S5 II

Panasonic actually have not lower any corners by way of the S5 II’s construct high quality with a view to meet the extra aggressive worth level. This is likely one of the finest mid-range mirrorless cameras available on the market on this regard.

Equally, the S5 II continues to supply the identical twin picture stabilisation system (in-body IS and lens IS) that is employed by the S1 sequence for more practical, shake-free capturing when dealt with in decrease lighting circumstances. This offers a whopping 6.5-stops of Twin IS compensation for stills, or 5 stops of in-body IS, placing the S5 proper on the high of its specific class.

The brand new S5 II moreover has an Energetic I.S. mode which offers extremely secure video recording by optimising horizontal, vertical and rotational correction. That is particularly efficient in historically difficult circumstances for handheld capturing, corresponding to utilizing telephoto lenses or filming whereas strolling.

The Panasonic S-series adopted Leica’s L lens mount when it was initially launched – one thing that noticed the corporate enter a collaborative partnership, often known as the ‘L-Mount Alliance’, with each Leica and Sigma – and as you’d count on, the brand new Panasonic S5 II isn’t any totally different on this regard.

Panasonic despatched us the S5 II with the S 20-60mm f/3.5-5.6 package lens for overview. After we examined this lens just a few years in the past, we commented that it “is a welcome addition to the L-Mount vary. It is versatile, compact and lightweight, handles like a dream and enhances a Lumix S1 physique nicely in all areas.”

All of these issues maintain true when utilizing the 20-60mm on the S5 II – certainly much more so, because the compact nature of this zoom completely matches the extra compact S5 II.

Whereas photographers could bemoan the slight lack of telephoto attain accessible, videographers and particularly vloggers will probably be delighted by the 20mm wide-angle focal size, which makes it attainable to hand-hold the digital camera at arm’s size and nonetheless get your self comfortably within the body with out having to resort to having to utilizing a selfie stick or another type of extension (or a unique lens totally).

Certainly, we mentioned that “With silent focusing, minimal focus respiratory, wonderful autofocus and a focal vary of 20-60mm, this lens in clearly positioned within the hybrid realm, virtually serving photographers and videographers in a variety of eventualities.” And that actually applies to this lens when used on the Lumix S5 II, making the additional £200 / $300 for the digital camera and lens package one thing of a veritable cut price.




Panasonic Lumix S5 II

Turning to the entrance of the Lumix S5 II, the large L lens mount dominates proceedings, together with a hand grip that, whereas narrower than these usually discovered on a semi professional DSLR, nonetheless feels excellent for the S5 II’s personal form and construct, enabling the digital camera to be operated with only one hand.

With the decrease three fingers of your proper hand curled across the S5 II’s grip, your forefinger is free to alternate between rotating the entrance management dial that sits barely pleased with the grip at its topper-most edge, and the marginally raised and angled shutter launch button simply atop it, which is responsively springy.

Sitting simply behind these controls are three small raised buttons, similar to on the S1 and S1R. From left to proper, these are for manually adjusting white stability, gentle sensitivity and publicity settings. The Panasonic S5 II’s structure feels ergonomic and its operation – notably of such key and commonly used options – nicely thought by way of.

Not like the larger S1-series, there is not any top-plate LCD display screen on the brand new Lumix S5 II. As an alternative the massive capturing mode dial has been moved from top-left on the S1 to top-right on the S5 II, and there is a Burst/Bracketing Taking pictures dial in its former place.

This smaller however nonetheless chunky, roughly ridged and raised dial over on the left hand fringe of the digital camera has 6 totally different settings, which variously present fast entry to the self-timer, time-lapse, excessive decision, burst capturing (2 modes) and regular single capturing modes.

Beneath the dial is a shiny pink ring, similar to on the S1-series cameras, which has maybe been deployed to lend the cameras a extra skilled air.

Stereo microphones and a vacant hotshoe for an adjunct flash are slotted immediately on high of the EVF. Curiously there’s no built-in pop up flash on the Panasonic S5 II, which is perhaps a barely shocking omission for a mid-range digital camera.

The chunky, roughly ridged and raised capturing mode dial over on the top-right makes it simple to regulate settings starting from Clever Auto focus to program, shutter precedence, aperture precedence or handbook fairly rapidly.




Panasonic Lumix S5 II

On the identical dial we additionally get a handbook video mode setting, an S&Q setting, and no fewer than three customized modes. Within the S(low)&Q(fast) capturing mode, the S5 II can seize Full HD video at as much as 180fps after which play again the movies at 24p, 30p, or 60p.

The on/of swap is extra of an precise lever which sits adjoining to the capturing mode dial. That is fairly stiff in operation – you nearly should pressure it – which, to offer it a constructive spin, means it is a digital camera that’s nearly unattainable to by accident activate or deactivate.

Flick this lever to on and the digital camera is able to take the primary shot simply as rapidly as your finger can transfer from it to the shutter launch button simply in entrance. There’s no ready round with the S5 II – it’s prepared when you’re.

The management dial on the entrance of the handgrip is, by the way, mirrored by one the dimensions of a 5 pence piece that sits recessed into the highest plate on the again. Right here it readily (and once more, ergonomically) falls underneath the thumb of the suitable hand; thereby persevering with to offer the impression that the structure has been nicely thought by way of.

Finishing the S5 II’s top-plate is a one-touch film report button, completed in the identical metallic darkish pink because the ring which sits beneath the drive mode dial. Similar to the shutter launch button, once more this has a pleasant springy really feel to it that makes it simpler to find and activate.

When it was launched, the unique S5 was the one sub-£$2000 digital camera available on the market to supply UHD 4K 60p 4:2:0 10-bit inside video recording, 4:2:2 10-bit internally in any decision or body fee, 4K at as much as 60p internally, and an anamorphic mode.

Now the brand new S5 II ups the ante even additional by providing excessive bit-rate video efficiency that Panasonic declare is on a par with the Lumix S1H.

It now helps inside 4:2:0 10-bit 6K (3:2) and 5.9K (16:9) recording at 30fps and 4:2:2 C4K and 4K at as much as 60fps, whereas the newly developed low-profile warmth administration system permits for limitless recording instances with out having to considerably improve the dimensions of the digital camera physique.




Panasonic Lumix S5 II

The S5 II additionally helps HFR (Excessive Body Price) recording at as much as 120fps and Sluggish & Fast seize at as much as 180fps and it even has a full-size HDMI Kind A terminal, quite than a micro model as on the S5.

Twin Native ISO is borrowed immediately from the S1H and Panasonic’s broadcast line of video cameras. This routinely switches between native ISO settings of 640 and 4000 with out rising noise by altering the best way the digital camera reads out the picture sensor.

The one disadvantage on the S5 is that you simply could not manually swap between the LOW and HIGH settings, as a substitute counting on the digital camera to take action at numerous ISO ranges.

This has been addressed on the S5 II with the availability of latest LOW and HIGH settings along with AUTO.

As well as, features corresponding to Waveform Monitor, Vector Scope and Zebra Sample have been added, in addition to options corresponding to System Frequency (24.00Hz) and Synchro Scan.

The Lumix S5 was already a really succesful video digital camera, however the brand new S5 II takes issues to a different stage and is clearly the one to decide on if you happen to’re a eager videographer.

With lugs for attaching the shoulder strap offered out of the field to be discovered left and proper of the digital camera, the right-hand flank offers a port protected by a sliding swap that enables for the insertion of two SD-XC playing cards.

The S5 II has twin reminiscence card slots, however fortunately in contrast to the S5 it has two UHS-II SD card slots, quite than only one UHS-II SD slot and one slower UHS-I slot.




Panasonic Lumix S5 II

The 2 ports on the left-hand flank present a way of connecting an adjunct microphone and headphones, plus USB-C and full-size HDMI leads, the latter a notable improve from the unique S5.

The rubberized flaps defending these really feel slightly flimsier than the remainder of the digital camera, and time will inform whether or not these grow to be worn and cease adhering so exactly over time.

Shifting to the rear of the Panasonic S5 II, once more that is button festooned with out being over-bearingly so.

The digital camera’s 3-inch LCD display screen with 1.84m-dot decision can also be a contact display screen, that means you could drag the main target space across the display screen together with your finger or thumb. Alternatively, if you happen to favor bodily controls, you should use the small thumb-operated joystick to the upper-right of the LCD to do the identical.

As an alternative of the intelligent however quite convoluted three-axis tilting LCD that is featured on the S1 cameras, the brand new Lumix S5 has a quite extra typical free-angle display screen that is hinged on the left-hand facet.

This may be tilted all the best way out to the facet of the digital camera, turned forwards for selfies and vlogging, and turned in direction of the again of the digital camera to assist shield it when the digital camera is not getting used. It’s totally helpful as an assist to capturing video in addition to extra uncommon compositions when you possibly can’t at all times get an eye fixed flush to the viewfinder.

The highest-left of the again of the digital camera is the place we discover the playback button for reviewing stills and video. There’s additionally a devoted LVF button alongside it for manually switching between the rear LCD display screen and the EVF, which maybe feels slightly redundant provided that the digital camera routinely switches to the EVF if you maintain the digital camera as much as your eye (this setting could be turned on and off as desired).

The earlier Lumix S5 had a reasonably first rate 2,360k 0.74x OLED viewfinder, which the brand new S5 II improves on by incorporating a 3,680k 0.78x OLED viewfinder, surrounded by a big, outstanding and cozy eye piece.




Panasonic Lumix S5 II

On to the suitable of the EVF is a tactile round swap for altering the auto-focus mode from single to steady to handbook focus, into which is ready the AF space button for choosing one of many seven accessible AF modes. You’ll be able to select from Monitoring, Full Space, Zone (Horizontal/Vertical), Zone, 1-Space+, 1-Space and Pinpoint.

Together with the afore-mentioned AF joystick, the small AF On which can be utilized for back-focusing completes the S5 II’s very handily-placed assortment of focusing controls.

This being a Panasonic digital camera, we’re supplied with the very helpful Fast menu brief lower button – situated through the button marked with an enigmatic ‘Q’ located to the suitable of the LCD – which supplies utterly customizable fast entry to 12 of the digital camera’s key settings.

Menu/Set, Show and a shared delete/again button are additionally to be discovered on the rear of the S5 II, together with a well-recognized multi-directional management pad, encircled by a scroll wheel for optimum fluidity of operation.

The menu screens are, as anticipated, comprehensively featured however pleasingly legible and intuitively navigated. That mentioned it was additionally good to have the Fast menu function with a view to circumnavigate them once we knew what we wished and wished to get to the related setting swiftly.

On the base of the digital camera we discover a single screw thread, situated immediately in keeping with the central level of the lens mount, for attaching the S5 II to a tripod.

Additionally discovered right here, nestled inside the base of the S5 II’s handgrip is the rechargeable 2,200mAh DMW-BLK22 lithium-ion battery.

On the S5 this offered 440 photographs (rear monitor), 470 photographs (LVF), 1,500 photographs (Energy Save LVF mode), as measured utilizing stringent CIPA trade requirements.




Panasonic Lumix S5 II

Maybe unsurprisingly on the extra power-hungry S5 II, battery life drops considerably to 370 photographs when utilizing the LCD or LVF.

A ‘correct’ charger with its personal mains plug can also be offered out of the field – or not less than was with our absolutely working overview pattern – and you can even cost the digital camera while you are out and about by attaching a power-bank to the USB-C port. Be aware that the S5 II helps the newest USB 3.2 normal whereas the S5 solely supported USB 3.1.

Picture High quality

All the pattern photographs on this overview had been taken utilizing the 24 megapixel Superb JPEG setting, which supplies a median picture measurement of round 12Mb.

The Panasonic Lumix S5 II produced nonetheless photographs of fantastic high quality in the course of the overview interval.

This digital camera produces noise-free JPEG photographs from ISO 50 all the best way as much as ISO 6400, with vital noise first showing at ISO 12800. The sooner settings of 25600 and 51200 show various noise, however they’re nonetheless superb to make use of for making smaller prints and internet photographs. You need to keep away from utilizing the expanded ISO 102400 and 204800 settings if attainable.

The Excessive Decision Mode is able to creating 96 megapixel photographs, whereas the assorted Picture Kinds and Filters can help you rapidly and simply customise the look of the digital camera’s JPEG and Uncooked photographs earlier than you are taking them.

The evening {photograph} was wonderful, with the utmost shutter velocity of 60 seconds and Bulb mode of as much as half-hour permitting you to seize loads of gentle.

Noise

ISO sensitivity could be set between ISO 50 and ISO 204800 in full-stop increments. Listed below are some 100% crops which present the noise ranges for every ISO setting, with JPEG on the left and RAW on the suitable.

JPEG RAW

ISO 50 (100% Crop)

ISO 50 (100% Crop)

iso100.jpg iso100.jpg

ISO 100 (100% Crop)

ISO 100 (100% Crop)

iso100.jpg iso100.jpg

ISO 200 (100% Crop)

ISO 200 (100% Crop)

iso200.jpg iso200raw.jpg

ISO 400 (100% Crop)

ISO 400 (100% Crop)

iso400.jpg iso400raw.jpg

ISO 800 (100% Crop)

ISO 800 (100% Crop)

iso800.jpg iso800raw.jpg

ISO 1600 (100% Crop)

ISO 1600 (100% Crop)

iso1600.jpg iso1600raw.jpg

ISO 3200 (100% Crop)

ISO 3200 (100% Crop)

iso3200.jpg iso3200raw.jpg

ISO 6400 (100% Crop)

ISO 6400 (100% Crop)

iso6400.jpg iso6400raw.jpg

ISO 12800 (100% Crop)

ISO 12800 (100% Crop)

iso12800.jpg iso12800raw.jpg

ISO 25600 (100% Crop)

ISO 25600 (100% Crop)

iso25600.jpg iso25600.jpg

ISO 51200 (100% Crop)

ISO 51200 (100% Crop)

iso51200.jpg iso51200.jpg

ISO 102400 (100% Crop)

ISO 102400 (100% Crop)

iso51200.jpg iso51200.jpg

ISO 204800 (100% Crop)

ISO 204800 (100% Crop)

iso51200.jpg iso51200.jpg

File High quality

The Panasonic Lumix S5 II has 2 totally different JPEG picture high quality settings accessible, with Superb being the best high quality possibility. Listed below are some 100% crops which present the standard of the assorted choices, with the file measurement proven in brackets.

Superb (10.9Mb) (100% Crop) Normal (4.3Mb) (100% Crop)
quality_fine.jpg quality_normal.jpg
RAW (29.6Mb) (100% Crop)
quality_raw.jpg

Night time

The Panasonic Lumix S5 II’s most shutter velocity is 60 seconds and there is additionally a Bulb possibility for exposures as much as half-hour lengthy, which is good news if you happen to’re critically curious about evening pictures.

The shot beneath was taken utilizing a shutter velocity of 30 seconds at ISO 100. The digital camera takes the identical period of time once more to use noise discount, so for instance on the 30 second setting the precise publicity takes 60 seconds.

quality_raw.jpg

Excessive Decision Mode

The Panasonic Lumix S5 II’s Excessive Decision Mode combines 8 photographs right into a 96 megapixel picture to create a 12000×8000 pixel tremendous high-resolution photograph. The ensuing Uncooked recordsdata are 165Mb in measurement! We discovered throughout testing that choosing Mode 2 within the Movement Blur Processing sub-menu produced the sharpest photographs.

Off (100% Crop)

On (100% Crop)

high_resolution_off.jpg high_resolution_mode1.jpg

Picture Kinds

Panasonic’s Picture Kinds are preset mixtures of various sharpness, distinction, saturation and noise discount settings. The 15 accessible Picture Kinds are proven beneath within the following sequence, which demonstrates the variations. There are additionally 4 Customized choices to be able to create your personal seems to be.

Normal

photo_styles_01.jpg

Vivid

photo_styles_02.jpg

Pure

photo_styles_03.jpg

L.ClassicNeo

photo_styles_04.jpg

Flat

photo_styles_05.jpg

Panorama

photo_styles_06.jpg

Portrait

photo_styles_07.jpg

Monochrome

photo_styles_08.jpg

L.Monochrome

photo_styles_09.jpg

L.Monochrome D

photo_styles_09.jpg

L.Monochrome S

photo_styles_09.jpg

Cinelike D2

photo_styles_09.jpg

Cinelike V2

photo_styles_09.jpg

Like709

photo_styles_09.jpg

V-Log

photo_styles_09.jpg

Filter Results

The Panasonic Lumix GH6 provides a variety of digital filter results that may be utilized to each JPEG and Uncooked recordsdata, with 8 totally different choices accessible in the principle menu.

Expressive

filters_01.jpg

Retro

filters_02.jpg

Previous Days

filters_03.jpg

Excessive Key

filters_04.jpg

Low Key

filters_05.jpg

Sepia

filters_06.jpg

Cross Course of

filters_07.jpg

Bleach Bypass

filters_08.jpg

Pattern Photos

It is a collection of pattern photographs from the Panasonic Lumix S5 II digital camera, which had been all taken utilizing the 24 megapixel Superb setting. The thumbnails beneath hyperlink to the full-sized variations, which haven’t been altered in any manner.

Pattern RAW Photos

The Panasonic Lumix S5 II permits customers to seize RAW and JPEG format recordsdata. We have offered some Panasonic RAW (RW2) samples so that you can obtain (thumbnail photographs proven beneath are usually not 100% consultant).

Pattern Films & Video

It is a pattern 4K video taken with the Panasonic Lumix S5 II.

It is a pattern 4K video taken with the Panasonic Lumix S5 II.

It is a pattern 4K video taken with the Panasonic Lumix S5 II.

It is a pattern 4K video taken with the Panasonic Lumix S5 II.

It is a pattern 4K video taken with the Panasonic Lumix S5 II.

It is a pattern 4K video taken with the Panasonic Lumix S5 II.

It is a pattern 1080p video taken with the Panasonic Lumix S5 II.

It is a pattern 4K timelapse video taken with the Panasonic Lumix S5 II.

It is a pattern 1080p timelapse video taken with the Panasonic Lumix S5 II.

Product Photos

Panasonic Lumix S5 II
Panasonic Lumix S5 II
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Panasonic Lumix S5 II
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Panasonic Lumix S5 II
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Panasonic Lumix S5 II
Panasonic Lumix S5 II
Panasonic Lumix S5 II
Panasonic Lumix S5 II
Panasonic Lumix S5 II
Panasonic Lumix S5 II
Panasonic Lumix S5 II
Panasonic Lumix S5 II
Panasonic Lumix S5 II
Panasonic Lumix S5 II

Conclusion

The brand new Lumix S5 II introduces phase-detection auto-focus for the primary time on any Panasonic digital camera – for many individuals, that would be the solely motive that they should critically contemplate it, whereas beforehand they could have chosen a rival mannequin simply due to the auto-focus system.

The distracting pulsing impact that plagued video recording particularly has now gone, changed by a really competent hybrid AF system that belies its first-generation standing – if solely Panasonic had carried out it on the launch of the L-mount system, they would definitely have loved bigger market share. let’s hope that they roll it out on all future cameras, Micro 4 Thirds fashions included.

Panasonic have not simply rested on their focusing laurels, although, as there are additionally a big variety of extra upgrades that assist flip the already very succesful S5 into a good higher Mark II version for 2023.

These embody sooner burst capturing speeds, the next decision and magnification viewfinder, and a full measurement HDMI port, all issues that we discovered missing within the unique S5 mannequin.

Video efficiency has additionally been considerably upgraded, with 6K recording and limitless recording instances particularly catching the attention. The Lumix S5 was already a really succesful video digital camera, however the brand new S5 II takes issues to a different stage and is clearly the one to decide on if you happen to’re a eager videographer.

Be aware that the older S5 will nonetheless proceed to be offered alongside the newer Mark II mannequin as a extra reasonably priced possibility, so if you happen to largely shoot stills and may stay with its contrast-based AF system, it is now the most affordable manner into Panasonic’s full-frame system.

In the end we might in all probability splash the additional money and purchase the brand new S5 II, although, merely due to the break-through phase-detection auto-focus. It is probably not a brand new function inside the wider market, however for Panasonic it is a vital improvement certainly, and one which helps to make the brand new Lumix S5 II the most effective all-rounder hybrid photograph and video cameras available on the market.

5 stars

Scores (out of 5)
Design 4.5
Options 5
Ease-of-use 4.5
Picture high quality 4.5
Worth for cash 5

Predominant Rivals

Listed beneath are among the rivals of the Panasonic Lumix S5 II.

The EOS R6 Mark II is the successor to certainly one of our favorite full-frame mirrorless cameras, principally including a brand new 24 megapixel sensor, 40fps burst capturing and improved auto-focusing. Learn our in-depth Canon EOS R6 II overview now, full with full-size pattern photographs and movies.

The X-H2S is the quickest, most succesful APS-C sensor digital camera that Fujifilm have ever launched, but it surely’s additionally by far the costliest. Discover out precisely what this new flagship digital camera is able to and who it is aimed toward by studying our full Fuji XH2S overview full with full-size JPEG, Uncooked and video samples.

The Fujifilm X-T5 is the successor to the very fashionable X-T4 which was launched in 2020, principally including a brand new 40 megapixel sensor, 160 megapixel Pixel Shift Multi-Shot mode, 6.2K video recording and higher auto-focusing. Can the brand new XT5 enhance on what was already an impressive digital camera? Discover out now by studying our in-depth Fujifilm X-T5 overview…

The Nikon Z6 II mirrorless digital camera is an evolutionary improve of the unique Z6, principally enhancing the autofocusing, buffer and video and including a second reminiscence card slot. Is that this sufficient to compete with its principal rivals? Discover out now by studying our in-depth Nikon Z6 II overview, full with full measurement pattern photographs and movies…

The brand new OM-1 flagship is each the final ever Olympus digital camera and the primary ever OM System digital camera. Confused? Properly no want to fret, as we take an in-depth have a look at what this new Micro 4 Thirds flagship has to supply in our OM System OM-1 overview, full with full-size pattern photographs and movies…

The a lot anticipated Panasonic GH6 is lastly right here! However what does this new flagship digital camera provide, and may it actually enhance on the best-selling GH5? We discover out in our overview of the Panasonic Lumix GH6 mirrorless digital camera, full with pattern photographs, check photographs, movies and extra…

The Panasonic S5 is a model new hybrid full-frame mirrorless digital camera that is equally as succesful at capturing each stills and video. In an ever extra crowded market, does the Lumix S5 provide sufficient to face out in opposition to the likes of the Sony A7 III, Canon EOS R and Nikon Z6? Learn our in-depth overview of the Panasonic S5 to search out out, full with full-size pattern photographs and movies.

The brand new Sony Alpha A7 IV is a brand new 33 megapixel, 4K/60p video, 10fps burst capturing, cutting-edge auto-focusing hybrid full-frame mirrorless mannequin that pulls no punches in its bid to be the one digital camera that you simply want. Discover out why we expect this is likely one of the finest all-round cameras of 2021 by studying our in-depth Sony A7 IV overview…

Evaluation Roundup

Opinions of the Panasonic Lumix S5 II from across the internet.

Constructing on the stable basis of the unique LUMIX S5’s robust compact body, class-leading 5-axis in-body picture stabilization, and wonderful colour science, the LUMIX S5 II didn’t want any vital overhauls. Nevertheless, the addition of part detection autofocus brings the S5 proper in keeping with among the finest hybrid cameras cash can purchase. We could possibly be taking a look at a digital camera of the 12 months contender.

Learn the total overview »

The Lumix S5 Mark II is arguably the most effective worth new full-frame digital camera round on the time of creating this overview, packing a wealth of options whereas comfortably undercutting key rivals on worth. The long-awaited inclusion of phase-detect autofocus transforms each photograph and video, eliminating the distracting pulsing which haunted earlier Lumix cameras.

Learn the total overview »

Specs

TYPE

  • Kind

    • Digital Single Lens Mirrorless digital camera
  • Lens mount

IMAGE SENSOR

  • Kind

    • 35mm full-frame (35.6mm x 23.8mm) CMOS sensor
  • Digital camera efficient pixels / Complete pixels

    • 24.20 megapixels / 25.28 megapixels
  • AR (Anti Reflection) coating

  • Side ratio / Shade filter

    • 3:2 / Main colour filter
  • Mud discount system

LATITUDE

STILL IMAGE

  • Recording file format

    • JPEG (DCF, Exif 2.31), RAW
  • Side ratio

    • 4:3 / 3:2 / 16:9 / 1:1 / 65:24 / 2:1
  • File measurement (pixels) when utilizing full-frame lenses

    • 3:2
      • 6000×4000(L) / 4272×2848(M) / 3024×2016(S) / 12000×8000(XL)* / 8496×5664(LL)* *Excessive Decision mode.
    • 4:3
      • 5328×4000(L) / 3792×2848(M) / 2688×2016(S) / 10656×8000(XL)* / 7552×5664(LL)* *Excessive Decision mode.
    • 16:9
      • 6000×3368(L) / 4272×2400(M) / 3024×1704(S) / 12000×6736(XL)* / 8496×4784(LL)* *Excessive Decision mode.
    • 1:1
      • 4000×4000(L) / 2848×2848(M) / 2016×2016(S) / 8000×8000(XL)* / 5664×5664(LL)* *Excessive Decision mode.
    • 65:24
    • 2:1
  • File measurement (pixels) when utilizing APS-C/Tremendous 35mm lenses

    • 3:2
      • 3984×2656(L) / 2880×1920(M) / 2064×1376(S)
    • 4:3
      • 3536×2656(L) / 2560×1920(M) / 1840×1376(S)
    • 16:9
      • 3984×2240(L) / 2880×1624(M) / 1920×1080(S)
    • 1:1
      • 2656×2656(L) / 1920×1920(M) / 1376×1376(S)
  • Picture high quality

    • RAW / RAW+Superb / RAW+Normal / Superb / Normal (Excessive Decision mode: Mixed / RAW / RAW+Superb / Superb)
  • Shade house

MOTION PICTURE

  • Recording file format

    • MOV: H.264/MPEG-4 AVC, H.265/HEVC
      MP4: H.264/MPEG-4 AVC, H.265/HEVC
  • Audio format

    • MOV: LPCM (2ch 48kHz/24-bit, 96kHz/24-bit*) (4ch 48kHz/24-bit**, 96kHz/24-bit**)
      MP4: AAC (2ch 48kHz/16-bit)
      *When attaching Φ3.5mm microphone or DMW-XLR1 (offered individually). **When attaching DMW-XLR1 (offered individually).
  • System frequency

    • 59.94Hz / 50.00Hz / 24.00Hz
  • Picture space of video

    • Full / APS-C / PIXEL/PIXEL
  • MOV / 59.94Hz / FULL (*HLG is selectable.) (*¹) (*²)

    • [6K] 5952×3968 (3:2)
      • 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • [6K] 5952×3136 (17:9)
      • 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • [5.9K] 5888×3312 (16:9)
      • 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • [C4K] 4096×2160
      • 29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • [4K] 3840×2160
      • 29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • [FHD] 1920×1080
      • 119.88p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        119.88p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        59.94p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        47.95p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        29.97p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        29.97p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        23.98p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        23.98p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
  • MOV / 59.94Hz / APS-C / PIXEL/PIXEL (*HLG is selectable.) (*¹) (*²)

    • [C4K] 4096×2160
      • 59.94p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        47.95p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • [4K] 3840×2160
      • 59.94p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        47.95p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • [3.3K] 3328×2496 (4:3)
      • 47.95p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • [FHD] 1920×1080
      • 119.88p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        119.88p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        59.94p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        47.95p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        29.97p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        29.97p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        23.98p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        23.98p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        *When Picture Space of Video is ready to APS-C.
  • MOV / 50.00Hz / FULL (*HLG is selectable.) (*¹) (*²)

    • [6K] 5952×3968 (3:2)
      • 25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • [6K] 5952×3136 (17:9)
      • 25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • [5.9K] 5888×3312 (16:9)
      • 25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • [C4K] 4096×2160
      • 25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • [4K] 3840×2160
      • 25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • [FHD] 1920×1080
      • 100.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        100.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        50.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        25.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        25.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
  • MOV / 50.00Hz / APS-C / PIXEL/PIXEL (*HLG is selectable.) (*¹) (*²)

    • [C4K] 4096×2160
      • 50.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • [4K] 3840×2160
      • 50.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • [3.3K] 3328×2496 (4:3)
      • 50.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • [FHD] 1920×1080
      • 100.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        100.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        50.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        25.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        25.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        *When Picture Space of Video is ready to APS-C.
  • MOV / 24.00Hz / FULL (*HLG is selectable.) (*¹) (*²)

    • [6K] 5952×3968 (3:2)
      • 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • [6K] 5952×3136 (17:9)
      • 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • [5.9K] 5888×3312 (16:9)
      • 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • [C4K] 4096×2160
      • 24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • [4K] 3840×2160
      • 24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • [FHD] 1920×1080
      • 48.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        48.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        24.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        24.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
  • MOV / 24.00Hz / APS-C / PIXEL/PIXEL (*HLG is selectable.) (*¹) (*²)

    • [C4K] 4096×2160
      • 48.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        48.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • [4K] 3840×2160
      • 48.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        48.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • [3.3K] 3328×2496 (4:3)
      • 48.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        48.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • [FHD] 1920×1080
      • 48.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        48.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        24.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        24.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
  • MP4 / 59.94Hz / FULL (*¹)

    • [4K] 3840×2160
      • 29.97p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
        23.98p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
        29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
    • [FHD] 1920×1080
      • 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
  • MP4 / 59.94Hz / APS-C / PIXEL/PIXEL (*¹)

    • [4K] 3840×2160
      • 59.94p, 100Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
        29.97p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
        23.98p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
        29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
    • [FHD] 1920×1080
      • 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
  • MP4 / 50.00Hz / FULL (*¹)

    • [4K] 3840×2160
      • 25.00p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
        25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
    • [FHD] 1920×1080
      • 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
  • MP4 / 50.00Hz / APS-C / PIXEL/PIXEL (*¹)

    • [4K] 3840×2160
      • 50.00p, 100Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
        25.00p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
        25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
    • [FHD] 1920×1080
      • 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
  • MP4 / 24.00Hz / FULL

  • MP4 / 24.00Hz / APS-C / PIXEL/PIXEL

SLOW & QUICK

  • MOV / 59.94Hz / FULL (*¹)

    • [FHD] 1920×1080
      • 59.94p (Most output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        29.97p (Most output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        23.98p (Most output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        *Angle of view narrows if you choose a body fee with quite a lot of frames 151 or extra.
  • MOV / 59.94Hz / APS-C (*¹)

    • [C4K] 4096×2160
      • 29.97p (Most output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        23.98p (Most output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • [4K] 3840×2160
      • 29.97p (Most output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        23.98p (Most output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • [FHD] 1920×1080
      • 59.94p (Most output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        29.97p (Most output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        23.98p (Most output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        *Angle of view narrows if you choose a body fee with quite a lot of frames 151 or extra.
  • MOV / 50.00Hz / FULL (*¹)

    • [FHD] 1920×1080
      • 50.00p (Most output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        25.00p (Most output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        *Angle of view narrows if you choose a body fee with quite a lot of frames 151 or extra.
  • MOV / 50.00Hz / APS-C (*¹)

    • [C4K] 4096×2160
      • 25.00p (Most output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • [4K] 3840×2160
      • 25.00p (Most output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • [FHD] 1920×1080
      • 50.00p (Most output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        25.00p (Most output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        *Angle of view narrows if you choose a body fee with quite a lot of frames 151 or extra.
  • MOV / 24.00Hz / FULL (*¹)

    • [FHD] 1920×1080
      • 24.00p (Most output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        *Angle of view narrows if you choose a body fee with quite a lot of frames 151 or extra.
  • MOV / 24.00Hz / APS-C (*¹)

    • [C4K] 4096×2160
      • 24.00p (Most output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • [4K] 3840×2160
      • 24.00p (Most output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    • [FHD] 1920×1080
      • 24.00p (Most output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        *Angle of view narrows if you choose a body fee with quite a lot of frames 151 or extra.

VIEWFINDER

  • Kind

  • Pixels

    • Approx. 3.68 million dots
  • Area of view / Magnification

    • Approx. 100% / Approx. 0.78x with 50 mm lens at infinity; -1.0 m-1, when the side ratio is ready to three:2
  • Eye level / Diopter adjustment

    • Approx. 21 mm at infinity; -1.0 m-1 / -4.0 – +2.0 (dpt)
  • Eye sensor

  • Show velocity

REAR MONITOR

  • Kind

    • TFT LCD monitor with static contact management
  • Monitor measurement

    • Free-angle, 3.0-inch (7.6cm), 3:2 side
  • Pixels

    • Approx. 1.84 million dots
  • Area of view

STATUS LCD

FOCUS (*³)

  • Kind

    • Section Detection AF system / Distinction AF system
  • DFD know-how

  • Focus mode

    • AFS (Single) / AFC (Steady) / MF
  • AF mode

    • Monitoring / Full Space AF / Zone (Horizontal/Vertical) / Zone / 1-Space+ / 1-Space / Pinpoint
      *Automated Detection could be turned ON to modify between Human/ Face/Eye/ Animal+Human. Besides when Pinpoint is ready.
  • AF detective vary

    • EV -6 – 18 (F1.4, ISO100 equal, AFS)
  • AF customized setting

    • AF Sensitivity, AF Space Switching Sensitivity, Shifting Object Prediction
  • AF help gentle

  • AF lock

    • Set the Fn button in customized menu to AF lock
  • Focus ring management

    • Nonlinear / Linear (90°/ 120°/ 150°/ 180°/ 210°/ 240°/ 270°/ 300°/ 330°/ 360°/ 720°/ 1080°/ Most)
  • Others

    • AF-ON, AF-ON: Close to Shift, AF-ON: Far Shift, Focus Limiter, Focus Peaking, 1-Space AF Shifting Pace, AF Micro Adjustment, Steady AF (throughout movement image recording), Focus/Shutter Precedence, Focus Switching for Vert/Hor, AF/AE Lock Maintain, AF+MF, MF Help, MF Information, Focus Ring Lock, Present/Disguise AF Mode, Shutter AF, Half Press Shutter, Fast AF, Eye Sensor AF, Loop Focus Body, Enlarged Reside Show (Video), Contact Shutter, Contact AF/AE Perform, Contact Pad AF, Lens Focus Resum

EXPOSURE CONTROL

  • Mild metering system

    • 1,728-zone multi-pattern sensing system
  • Mild metering mode

    • A number of / Heart Weighted / Spot / Spotlight Weighted
  • Metering vary

    • EV0-18 (F2.0 lens, ISO100 equal)
  • Mode dial

    • Program AE (P) / Aperture Precedence AE (A) / Shutter Precedence AE (S) / Guide Publicity (M) / Inventive Video (P/A/S/M)* / Sluggish&Fast / Customized 1, 2, 3 / Clever Auto
      *The identical publicity operations as P/A/S/M mode is accessible.
  • Publicity compensation

    • 1/3 EV step ±5EV (±3EV for movement image)
  • ISO sensitivity (Normal output sensitivity)

  • Twin Native ISO

    • [Normal]
      Native ISO: 100, 640
      Auto: Auto / 50* / 100-51200 / 102400* / 204800* *Prolonged ISO
      Low: Auto / 50* / 100-800 *Prolonged ISO
      Excessive: Auto / 320* / 640-51200 / 102400* / 204800* *Prolonged ISO

      [V-Log]
      Native ISO: 640, 4000
      Auto: Auto / 320* / 640-51200 *Prolonged ISO
      Low: Auto / 320* / 640-5000 *Prolonged ISO
      Excessive: Auto / 2000* / 4000-51200 *Prolonged ISO

      [HLG]
      Native ISO: 400, 2500
      Auto: Auto / 400-51200 / 102400* / 204800* *Prolonged ISO
      Low: Auto / 400-3200
      Excessive: Auto / 2500-51200 / 102400* / 204800* *Prolonged ISO

      [Cinelike D2 / Cinelike V2]
      Native ISO: 200, 1250
      Auto: Auto / 100* / 200-51200 / 102400* / 204800* *Prolonged ISO
      Low: Auto /100* / 200-1600 *Prolonged ISO
      Excessive: Auto / 640* / 1250-51200 / 102400* / 204800* *Prolonged ISO

  • AE lock

    • Set the Fn button in customized menu to AE lock

IMAGE STABILIZATION SYSTEM

  • B.I.S. (5-axis / 5-stop*) *Primarily based on the CIPA normal [Yaw/Pitch direction: focusing distance f=60mm when S-R2060 is used.]
    Twin I.S. 2 (6.5-stop*) *Primarily based on the CIPA normal [Yaw/Pitch direction: focusing distance f=200mm when S-E70200 is used.]

WHITE BALANCE

  • White stability

    • AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Shade temperature setting 1, 2, 3, 4
  • White stability adjustment

    • Blue/Amber bias, Magenta/Inexperienced bias
  • Shade temperature setting

SHUTTER

  • Kind

  • Shutter velocity

    • Nonetheless picture: Bulb (Max. half-hour), 1/8,000 – 60
      Digital entrance curtain shutter: Bulb (Max. half-hour), 1/2,000 – 60
      Digital shutter: Bulb (Max. 60 sec), 1/8,000 – 60
      Movement image: 1/16,000 – 1/25
      Inventive Video M mode / MF mode: 1/16,000 – 1/2
  • Self timer

    • 10sec, 3 photographs / 2sec / 10sec / Customized Time
  • Distant management

    • Distant management by DMW-RS2 (offered individually)
  • Silent mode / Shutter kind

    • Sure / Sure (Auto / Mechanical / Digital entrance curtain / Digital / Digital+NR)

BRACKET

  • AE bracket

    • 3, 5, 7 photographs in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst
  • Aperture bracket

  • Focus bracket

    • 1 to 999 photographs, focus steps could be set in 10 ranges
  • White stability bracket

    • 3 photographs in blue/amber axis or in magenta/inexperienced axis, colour temperature setting

BURST SHOOTING

  • Burst velocity

    • Mechanical shutter / Digital entrance curtain shutter
      • H: 9 frames/sec (AFS/MF), 7 frames/sec (AFC) (with Reside View)
        M: 5 frames/sec (AFS/MF) (with Reside View), 5 frames/sec (AFC) (with Reside View)
        L: 2 frames/sec (AFS/AFC/MF) (with Reside View)
    • Digital shutter
      • SH30: 30 frames/sec (AFS/AFC/MF)
        H: 9 frames/sec (AFS/MF), 8 frames/sec (AFC) (with Reside View)
        M: 5 frames/sec (AFS/MF) (with Reside View), 5 frames/sec (AFC) (with Reside View)
        L: 2 frames/sec (AFS/AFC/MF) (with Reside View)
  • Variety of recordable photographs

FLASH

  • Flash kind

    • TTL Exterior Flash (offered individually)
  • Synchronization velocity

    • Lower than 1/250 second *The information quantity decreases at 1/250 second. Solely when set to M mode or S mode.
  • Flash mode

    • Auto* / Auto/Pink-eye Discount* / Compelled On / Compelled On/Pink-eye Discount / Sluggish Sync. / Sluggish Sync./Pink-eye Discount / Compelled Off *For iA solely.
  • Flash synchronization

    • 1st Curtain Sync, 2nd Curtain Sync.
  • Flash output adjustment

  • Wi-fi management

    • Sure (When utilizing DMW-FL200L / FL360L / FL580L (offered individually)), Wi-fi Channel: 1ch/2ch/3ch/4ch

EXTRA TELE CONVERSION

  • 2.0x (EX S) (When utilizing full-frame lenses), 1.9x (EX S) (When utilizing APS-C / Tremendous 35mm lenses), 1.4x (EX M) *Just for nonetheless picture recording.

COLOR SETTINGS

  • Picture Model

    • Picture Model
      • Normal / Vivid / Pure / L. Traditional Neo / Flat / Panorama / Portrait / Monochrome / L. Monochrome / L. Monochrome D / L. Monochrome S / Cinelike D2 / Cinelike V2 / Like709 / V-Log / REAL TIME LUT / Like2100 (HLG) / Like2100 (HLG) Full Vary* / My Picture Model 1-4 (5-10)*
        *Set to ON from Present/Disguise Picture Model to pick out.
    • Image adjustment
      • Distinction / Spotlight / Shadow / Saturation / Shade Tone / Hue / Filter Impact / Grain Impact / Shade Noise / Sharpness / Noise Discount / ISO / WB / LUT
        *Adjustable settings differ relying on the Picture Model mode.
  • Filter

    • Expressive / Retro / Previous Days / Excessive Key / Low Key / Sepia / Cross Course of / Bleach Bypass
  • LUT Library

    • Vlog_709 / Set 1-10
      *REAL TIME LUT in Picture Model, Apply LUT in Fn button, Apply LUT in RAW Processing, LUT View Help in V-Log View Help, LUT could be utilized from these settings.

MOTION PICTURE FUNCTION

  • Time lapse shot

  • Cease movement animation

  • Reside cropping

    • Sure (Helps cropping from 5.9K (FULL) 30p/25p/24p video to 4K/FHD sizes)
  • SS/Achieve operation

    • Shutter Length/ISO / Angle/ISO / Shutter Length/dB
  • Luminance stage

    • 8-bit: 0-255 / 16-235 / 16-255
      10-bit: 0‒1023 / 64‒940 / 64‒1023
  • Synchro scan

  • Grasp pedestal stage

  • Shade bars / 1kHz check tone

    • Sure (SMPTE / EBU / ARIB) / Sure
  • LUT view help

    • Supported file varieties: .vlt, .dice
      Monitor / HDMI
  • HLG view help

    • Monitor (MODE1 / MODE2 / OFF) / HDMI (AUTO / MODE1 / MODE2 / OFF)
  • Anamorphic desqueeze show

    • 2.0x / 1.8x / 1.5x / 1.33x / 1.30x / OFF
  • Wave type monitor / Vectorscope

  • Knee management

  • Pink REC body indicator

VERTICAL POSITION INFORMATION

  • Nonetheless picture / Movement image (ON/OFF)

LEVEL GAUGE

FUNCTION BUTTON

  • REC

    • Publicity Comp. / Twin Native ISO / Sensitivity / White Steadiness / Picture Model / Apply LUT / Metering Mode / Side Ratio / Image High quality / Image Dimension / 1 Shot Spot Metering / Lengthy Publicity NR / Min. Shutter Pace / 1 Shot RAW+JPG / i.Dynamic Vary / Shade Shading Compensation / Filter Impact / One Push AE / Contact AE / AWB Lock / Publicity Mode / Synchro Scan / AF Mode / AF Detection Setting / Detecting Topic / AF Customized Setting(Picture) / AF Customized Setting(Video) / Focus Limiter / Focus Limiter Vary Set / Focus Peaking / Focus Peaking Sensitivity / 1-Space AF Shifting Pace / Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK / AF-ON / AF-ON: Close to Shift / AF-ON: Far Shift / Focus Space Set / Enlarged Reside Show (Video) / Flash Mode / Flash Modify. / Wi-fi Flash Setup / Drive Mode Setting / Bracketing / Silent Mode / Picture Stabilizer / Shutter Kind / Ex. Tele Conv. / Rec. File Format / Rec High quality / Rec High quality (My Checklist) / Sluggish & Fast Setting / Time Code Show / Audio Data / Sound Rec Degree Disp. / Mute Sound Enter / Sound Rec Degree Adj. / Sound Rec High quality / Sound Rec Degree Limiter / 4ch Mic Enter / XLR Mic Adaptor Setting / Sound Monitoring Channel / Picture Stabilizer / E-Stabilization (Video) / Enhance I.S. (Video) / Picture Space of Video / Focus Transition / Reside Cropping / Q.MENU / Rec/Playback Change / Video File / Video File (Inventive Video) / LVF/Monitor Change / Operation Lock / Dial Operation Change / Preview / Preview Aperture Impact / Fixed Preview / Degree Gauge / Histogram / Luminance Spot Meter / Body Marker / Picture Grid Line / Reside View Enhance / Monochrome Reside View / Night time Mode / LVF/Monitor Disp. Set / Video-Precedence Show / Zebra Sample / LUT View Help (Monitor) / LUT View Help (HDMI) / LUT Choose / HLG View Help(Monitor) / HLG View Help (HDMI) / Sheer Overlay / I.S. Standing Scope / WFM/Vector Scope / Anamorphic Desqueeze Show / Shade Bars / Focus Ring Management / AF Micro Adjustment / Lens Data / Vacation spot Card Slot / Wi-Fi / Fan Mode / Save to Customized Mode / No Setting / Off (Disable Press and Maintain) / Restore to Default
  • PLAY

    • Enlarge from AF Level / LUT View Help (Monitor) / HLG View Help (Monitor) / Anamorphic Desqueeze Show / RAW Processing / Delete Single / Shield / Ranking 1, 2, 3, 4, 5 / Copy / Rec/Playback Change / LVF/Monitor Change / Video File / Video File (Inventive Video) / Night time Mode / Card Slot Change / Sound Monitoring Channel(Play) / Wi-Fi / Fan Mode / Ship Picture (Smartphone) / LUT View Help (HDMI) / HLG View Help (HDMI) / No Setting / Off (Disable Press and Maintain) / Restore to Default

INTERFACE

  • USB

    • USB Kind-C (SuperSpeed USB 10Gbps (USB 3.2 Gen2))
  • HDMI (*⁴)

    • HDMI
      • HDMI TypeA
        Audio: ON / OFF, MP4: 2ch, MOV: 2ch (When [4ch Mic Input] is ready to OFF.), 4ch (When [4ch Mic Input] is ready to ON.)
    • Monitor-through
      • 4:2:2 10bit (When [Rec Quality] is ready to [4:2:2 10bit] or [4:2:0 10bit].)
        4:2:2 8bit (When [Rec Quality] is ready to [4:2:0 8bit].)
    • Playback
      • 59.94Hz: C4K/60p / C4K/30p / 4K/60p / 4K/30p / 1080/120p / 1080p / 1080i / 720p* / 480p*
        50.00Hz: C4K/50p / C4K/25p / 4K/50p / 4K/25p / 1080/100p / 1080p / 1080i / 720p* / 576p*
        24.00Hz: C4K/24p / 4K/24p / 1080p
        *Just for playback.
  • Distant enter

  • Audio

    • Construct-in microphone
      • Stereo
        Wind Noise Canceller: OFF / Normal / Excessive
    • Exterior microphone / Exterior audio gadget enter
      • φ3.5mm for exterior microphone / exterior audio gadget
        MIC (Plug-in Energy) / MIC / LINE
        Wind Lower: OFF / Low / Normal / Excessive *When attaching 3.5mm microphone (offered individually).
        Particular Mic: Stereo / Shotgun *When attaching DMW-MS2 (offered individually).
    • XLR microphone
      • Sure with DMW-XLR1 (offered individually)
    • 4ch mic enter
      • Sure with DMW-XLR1 (offered individually)
    • Speaker
    • Headphone output
  • SD card slot

    • Slot 1, Slot 2
      SD Reminiscence Card / SDHC Reminiscence Card* / SDXC Reminiscence Card*
      *Appropriate with UHS-I/UHS-II UHS Pace Class 3 normal SDHC/SDXC Reminiscence Playing cards and UHS-II Video Pace Class 90 normal SDXC Reminiscence Playing cards.

TC IN/OUT

  • Rely up

  • Time code mode

    • Drop Body / Non-Drop Body (When system frequency [59.94Hz] is chosen.)
  • HDMI time code output

FAN

  • Auto1 / Auto2 / Quick / Regular / Sluggish* / OFF**
    *Not selectable when the decision is greater than C4K, or the body fee is greater than 60p.
    **OFF could be set when in iA/P/A/S/M mode.

WIRELESS

  • Wi-Fi

    • 2.4GHz bands (STA/AP) (IEEE802.11b/g/n)
      5GHz bands (STA) (IEEE 802.11a/n/ac)
      Safety: WPA/WPA2/WPA3
  • Bluetooth

    • Bluetooth® v5.0 (Bluetooth Low Vitality (BLE))

DUST AND SPLASH RESISTANT*

  • Sure.
    *Mud and Splash Resistant doesn’t assure that harm won’t happen if this digital camera is subjected to direct contact with mud and water.

POWER

  • Battery

    • Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled)
      USB energy provide, USB energy charging, USB energy supply
  • Battery life (CIPA normal)

    • Approx. 370 photographs, 1,250 photographs (Energy Save LVF mode*) with S-R2060
      Approx. 370 photographs, 1,200 photographs (Energy Save LVF mode*) with S-S50
      *Underneath the check circumstances specified by Panasonic primarily based on CIPA normal. When the time to get within the sleep mode is ready to 1 sec.
  • Steady recordable time (Movement image) (*¹)

    • MP4 [4K/60p]: Approx. 90 min (APS-C), MP4 [FHD/60p]: Approx. 130 min (FULL) *When utilizing S-R2060 / S-S50. When the battery is absolutely charged.
  • Precise recordable time (Movement image) (*¹)

    • MP4 [4K/60p]: Approx. 45 min (APS-C), MP4 [FHD/60p]: Approx. 65 min (FULL) *When utilizing S-R2060 / S-S50. When the battery is absolutely charged.
  • Battery grip

    • DMW-BGS5 (offered individually)

DIMENSIONS / WEIGHT

  • Dimensions (W x H x D)

    • Approx. 134.3 x 102.3 x 90.1 mm / 5.29 x 4.03 x 3.55 inch (Physique solely, excluding protrusions)
      Approx. 134.3 x 102.3 x 157.0 mm / 5.29 x 4.03 x 6.19 inch (with S-R2060, excluding protrusions)
      Approx. 134.3 x 102.3 x 151.8 mm / 5.29 x 4.03 x 5.98 inch (with S-S50, excluding protrusions)
  • Weight

    • Approx. 740g / 1.64 lb (Physique, Sizzling Shoe Cowl, Battery, SD Reminiscence Card x 1) (excluding physique cap)
      Approx. 657g / 1.45 lb (Physique, Sizzling Shoe Cowl) (excluding physique cap)

OPERATING ENVIRONMENT

  • Working temperature

    • 0℃ to 40℃ (32℉ to 104℉)
  • Working humidity

STANDARD ACCESSORIES

Be aware

  • (*1) About movement image recording

    – Recording stops when the continual recording time exceeds half-hour in [6K/29.97p] [6K/25.00p] [5.9K/29.97p] [5.9K/25.00p] when Thermal Administration mode is ready to Normal.

    – The playing cards that can be utilized for recording differ relying on the movement photos bit fee and format kind.
    Movement photos with 72Mbps or much less: SD reminiscence card with SD Pace Class with Class 10 or Video Pace Class 10 or greater
    Movement photos with 200Mbps or much less: SD reminiscence card with UHS-I / UHS-II UHS Pace Class 3 (U3) or Video Pace Class 30 or greater

    – A brand new file will probably be created to proceed recording if the continual recording time exceeds the next circumstances.
    Movement photos with lower than 72Mbps: half-hour
    Movement photos with 72Mbps or extra: 3 hours 4 minutes

    – A brand new file will probably be created to proceed recording if the file measurement exceeds the next circumstances.
    [MP4] in [FHD]: 4GB
    [MP4] in [4K]: 96GB
    [MOV]: 192GB

    (*2) Excessive-res audio is selectable solely when attaching Φ3.5mm microphone or DMW-XLR1 (offered individually).

    (*3) About AF
    – Automated Detection is just not accessible for Excessive Body Price video capturing above 60p (100p or 120p).
    – Monitoring and Automated Detection are usually not accessible when utilizing HDMI cable or USB connection cable for Excessive Body Price video capturing (100p or 120p) above 60p.

    (*4) To output movement photos with 4K or greater, use a Premium Excessive Pace HDMI cable (Kind A – Kind A plug).

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