Sony 70-200mm f/2.8 G Grasp OSS II Overview: Lighter, Sooner, Higher


Sony has constructed up its G Grasp collection of premium lenses as being the head of lens design for his or her prospects. So what occurs when that lens design begins falling behind after 5 years in the marketplace? Hit refresh.

Design and Construct High quality

Whereas the brand new Sony 70-200mm f/2.8 GM OSS II brings vital developments over the unique, its total dimension continues to be the identical. That places it at 7.87 inches (200 millimeters) lengthy and three.46 inches (88 millimeters) in diameter. Its weight, nonetheless, has dropped from 3.26 kilos (1480 grams) to 2.30 kilos (1045 grams). Moreover, this weight is now centered proper on the tripod foot for higher stability.

Wanting on the exterior, the lens has a good-sized focus ring on the entrance finish. I discover it straightforward to control with only one finger whereas the remainder of my hand will be gripping across the zoom ring for versatile management of the lens. Paired with a Full Time DMF (direct handbook focus) change, the main target ring will be enabled to at all times be lively regardless if the digicam is in an autofocus mode. One damaging that stood out is that this ring appears to make a pronounced grinding sound when being turned that’s louder than any of the opposite lenses I’ve or have examined.

Shifting to the zoom ring, it’s barely wider than the main target ring and has an excellent quantity of stress to it. Paired with the actual fact this lens internally zooms and that the burden shouldn’t be on the entrance, relatively towards the again close to the digicam, I didn’t expertise any zoom creep whereas strolling round.

Behind the zoom ring is one thing that Sony has by no means carried out for a zoom lens earlier than: added an aperture ring. The aperture sweeps the vary of f/2.8 to f/22, in fact, plus there’s an “A” setting to have the f-stops be set by the digicam as a substitute. Together with the aperture ring, the lens now has an Iris Lock change on the underside left facet. This change can lock the ring into staying on the “A” setting, or as a substitute, it could actually lock the lens into the handbook f-stop vary however not permit it to unintentionally cross over into “A.” On the underside proper, there’s an aperture de-click change.

Another fast notes to make in regards to the construct is that the quick-release tripod foot shamelessly nonetheless doesn’t have a built-in Arca-Swiss plate as we’ve seen from opponents. It additionally doesn’t have grooves on the horizontal and vertical positions that permit me to exactly change orientation with out wanting on the alignment dots. Lastly, the lens hood makes use of precise felt on the within to soak up mild and get rid of reflections which is a pleasant contact for a premium lens.

Picture High quality

Shifting on to the picture high quality, this lens has a brand new optical method, makes use of new parts, and provides an ED aspherical aspect. In consequence, this lens shoots impressively sharp even broad open, and the resolving energy allows me to crop in 100% with virtually no tell-tale indicators I’ve carried out so. Shade fringing is extraordinarily robust to search out even in arduous distinction backlighting.

Additional testing the sharpness, I discovered that on the middle of the body at 70mm, peak sharpness is obtained stopped down at f/7.1. At 200mm, peak sharpness on the middle was at f/9. Wanting on the corners of the body, 70mm was sharpest at f/13 and 200mm was sharpest at f/13 as nicely. That mentioned, I’d be snug taking pictures this lens from f/2.8 to f/20 and nonetheless really feel assured I’ve obtained an excellent degree of total sharpness.

200mm at f/2.8.
200mm at f/2.8. 100% crop.

The entire zoom vary reveals distinguished vignetting which clears at f/8. The samples under had been shot with in-camera corrections off to higher present what sort of compensation must occur. After all, as soon as these in-camera corrections are enabled and automated profiles are utilized in enhancing, this might be fastened at the price of noisier edges from normalizing the publicity.

Vignetting at 70mm.
Vignetting at 200mm.

The brand new lens shares the 11-bladed round aperture that was within the authentic and along with the brand new optics produces a high-quality out-of-focus blur. In cases the place excessive distinction or busy backgrounds can usually be difficult to scrub away, I believed that this lens did an excellent job at dealing with these distractions for essentially the most half. Bokeh balls haven’t any ugly onion ring impact on the within and even the perimeters present no arduous ring.

Shot at 70mm minimal focus distance. The mushroom cap is in regards to the dimension of my thumbnail. The obvious dimension is barely bigger taking pictures at 70mm over 200mm at shut focus.
Shot at 200mm minimal focus distance.

Shifting gears, let’s discuss autofocus: it could be the first purpose to purchase the 70-200mm GM II. It’s blazing quick. The brand new lens makes use of 4 XD linear motors and Sony clocked it as 4 occasions as quick as the unique. I consider it. The second I knew this was the true deal is once I placed on a 2x teleconverter and there was completely no change in its potential to immediately focus point-A to point-B on something, wherever.

Taken with the 2x teleconverter mounted.

Precisely autofocus monitoring a transferring topic goes to require a digicam that may carry out as much as the duty simply as nicely. With that mentioned, my a7R III dealt with monitoring with the 70-200mm GM II higher than most different lenses I’ve used on it. Paired with a more recent, quicker digicam just like the Alpha 1 will yield even higher outcomes.

Autofocus can also be close to silent. When sweeping the main target vary there’s a very fast, very quiet “creak” sound. In video mode, sweeping the autofocus produces extra of a stutter, nevertheless it’s nonetheless very quiet. Monitoring topics produced little to no perceptible sound.

Monitoring shot at 70mm.
Monitoring shot at 200mm.

Telephoto Zoom With Prime Lens Efficiency

With the sixty fifth E-mount lens, Sony has produced one other winner. The Sony 70-200mm f/2.8 G Grasp OSS II steps up its autofocus in a giant manner, but in addition makes welcome adjustments to the operability by together with Full Time DMF management and a bodily aperture ring. Remarkably, this all is available in a lens that’s almost a pound lighter than its predecessor.

Shot at 70mm.
Shot at 200mm.

Are There Options?

The primary different that involves thoughts can be the unique Sony 70-200mm f/2.8 GM lens. The corporate has mentioned that it’s going to not be changing it within the lineup with the brand new mark II mannequin, relatively it will likely be bought alongside it at a lower cost. This growing old lens was a part of the preliminary launch of the G Grasp collection in 2016 and though the autofocus system has fallen behind, it’s nonetheless made with G Grasp-qualifying XA lens parts that end in excessive picture high quality.

One other different for those who learn these evaluations extra as an escape to fantasyland can be the a lot inexpensive Tamron 70-180mm f/2.8 Di III VXD lens. For less than $1,200, Tamron has impressed many photographers with how a lot picture high quality they will get out of this extremely transportable, quick telephoto lens at lower than half the associated fee. The draw back is it skips a number of the construct options like optical stabilization, a tripod collar, inside zoom, and customizable buttons.

Ought to You Purchase It?

Sure. Images gear has come a great distance within the 5 years that the unique 70-200mm GM has been in the marketplace. This replace balances out the system and gives top-end efficiency to maintain tempo with the latest cameras.


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